Discover Hio Rain, winner of the NNC Gallery Challenge 2022. Based in Orbetello, Tuscany, Hio Rain explores balance, fragility and paradox through watercolour, pencil, architecture and contemporary visual research.

The virtual solo exhibition of Monica De Mitri at The Secret Room is part of NNC Gallery London’s long-term research on virtual space as a real curatorial environment. Active since 2019, this research explores how digital exhibitions can expand access, visibility, and continuity for contemporary artists, from the Covid period to today.

Honey Jalali discusses the evolution of her multidisciplinary practice, her connection to Iran, and her belief in art as a space for healing, empathy and transformation.

Nazan Pamuk Artist of the Month — Vol.20 NNC Gallery London Nazan Pamuk | Turkey There are artists whose work can be recognised before their name is read. Nazan Pamuk belongs to this category. Born in Istanbul, raised in Germany and educated at the School of Applied Arts after returning to Turkey, Pamuk has worked professionally as an artist for more than 25 years. Throughout this long practice, she has developed a visual language in which female figures, animals, plants and

Odirile.M is a self-taught digital artist based in Cape Town, South Africa. Her work explores mental health, African identity, emotional visibility and generational trauma through digital creation. Her project BEING, developed with Lawrence Jadezweni, reflects on roots, wounds, transformation and the vision of a “Futuristic Africa”.

xcerpt – Art Beyond the Frame “In Monica De Mitri’s work, space is not just a backdrop — it completes the artwork. Curved lines slide gently beyond the canvas, creating new forms that change with the light and the place. Every cut, every gesture is part of a ritual — handmade, slow, essential.” — Radmila Urošević

“In Monica De Mitri’s work, paper is no longer a surface but a living material: folded, painted, sculpted, it becomes space and form. Each piece is born without a plan, following the silent rhythm of the material.” — Radmila Urošević