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How to Write a Strong Art Open Call Application

Oct 5
4 min read

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Barbara Vandendriessche Collective 18

Tips for artists Vol - 25 How to Write a Strong Art Open Call Application

In the previous issue, we looked at how to decide whether an art opportunity is right for your work. Once you have made that choice, the next task is to present your project clearly.

A strong application does not need grand language or a complicated concept. It needs to help the reader understand what you are proposing, why it matters to your practice and how it responds to the opportunity. The work should remain at the centre; the application gives it a clear frame.


Read the brief as a set of questions

Before writing, read the call once for its overall purpose, then again for its specific requirements. What is the organiser asking artists to submit? Is there a theme, a format, a proposed outcome or a particular audience? Are there limits on word count, number of images or project duration?

Make a short checklist from the brief. It is easy to overlook a practical instruction when you are focused on writing the most compelling description. Meeting the requirements is part of presenting the work professionally.

If the call leaves something important unclear, ask the organiser before you submit. A concise question can prevent you from developing a proposal based on the wrong assumption.


Describe the project you are proposing

A project proposal is different from a general artist statement. Your statement may describe the questions and methods that run through your practice. A proposal explains what you want to do for this particular opportunity.

Try to make the essentials easy to find:

  • What will you make, present or develop?

  • What is the project about?

  • What materials, methods or format will you use?

  • How does it connect with the call?

  • What will the audience encounter?

You do not need to answer these questions in a rigid formula. They are a way to check that the proposal gives the reader a clear picture of the project.


Use direct language

Artists sometimes feel pressure to make a proposal sound more theoretical than the work itself. But complexity does not come from using more abstract words. It comes from the thought and decisions within the work.

Be specific. Instead of saying that a project “explores identity,” explain what aspect of identity interests you and how that question appears in the work. Instead of calling a project “site-specific,” describe what the place contributes to it.

A selector should not have to decode your proposal before they can imagine the work.


Explain the connection to the opportunity

Avoid sending the same text to every call. A proposal should show why this opportunity makes sense for this project. That connection may come from the theme, the context, the format or the people you hope the work will reach.

This does not mean reshaping your practice to satisfy every brief. If the connection feels forced, the opportunity may not be the right one. If it feels genuine, explain it in a sentence or two and let the work carry the rest.


Make the practical side believable

If the proposal includes a timeline, installation, production costs or collaboration, be realistic. Allow enough time for the work to be made and presented. Mention any materials or technical needs that are essential to the project.

If a budget is requested, make it readable and consistent with the proposal. If some details are still flexible, say so plainly. A clear plan does not have to anticipate every possible complication, but it should show that you have thought through the main steps.


Select images that support the proposal

Choose images that help the reader understand the project you are describing. If the work already exists, include examples that show its visual language and relevant development. If the project is new, use sketches, tests or earlier work when they genuinely clarify your approach.

Label files clearly and follow the requested format. A thoughtful selection is more useful than a large collection of images that do not relate to the proposal.


Edit for clarity before submitting

When the draft is complete, check it against the brief. Have you answered every question? Is the project description consistent with the images and other materials? Can someone unfamiliar with your practice understand what you are proposing?

Read the text aloud. If a sentence sounds impressive but does not tell the reader anything concrete, revise it. If a paragraph repeats information already supplied elsewhere in the application, shorten it.

A trusted reader can help identify what is unclear, but the proposal should still sound like you. Your own way of seeing is part of the work.


A clear proposal lets the work be seen - How to Write a Strong Art Open Call Application

The purpose of an application is not to make an artist sound perfect. It is to give selectors enough information to consider the work fairly and understand the intention behind it.

Take the brief seriously, be precise about what you are proposing and leave room for the work to speak. A good application is not a performance of certainty. It is a thoughtful invitation to look closer.


Explore the current NNC Gallery Challenge and read its application requirements before preparing your submission.


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