Vanessa Rusci's current research occupies an unstable territory between traditional photography and emerging forms of computational image-making. Rather than attempting to resolve that instability, she uses it. Her practice asks what remains specifically human when machines become extraordinarily capable of producing visual representations.

“In Monica De Mitri’s work, paper is no longer a surface but a living material: folded, painted, sculpted, it becomes space and form. Each piece is born without a plan, following the silent rhythm of the material.” — Radmila Urošević