She creates solid paint modules which are adjustable in space. She believes that art work is changing all the time with the space around. Her statement is that it isn’t independent of the place of exhibition. Her system is also a way to show the differences of people’s point of view on the artwork and the world, depending on where they are. The modular system is a way to think about mapping the world differently. In her opinion, it is both a way to reflect the world we are living in but somehow to find a way to deflect it. Currently, PhD student, University of Paris 1 Panthéon-Sorbonne, Thesis : Painting : The surface as an interface. From the support of the painting to its place of exhibition. Peinture: La surface comme interface. Du support de la peinture à son lieu d'exposition. Under the direction of Mrs Sandrine Morsillo.


From Belgrade, Serbia
Her work is about creating solid and volumetric acrylic paintings. Her research is both inspired by the world around, always in movement, but also by the painting material itself. She started creating modules of paint at first, removable and adjustable to the space. Her modular system is also a way to show the differences of people’s point of view on the artwork and the world, depending on where they are and on where the work is seen. She thinks that art can be a way of living and be included in people’s everyday life.
The modular system of her work is a way to think of mapping the world differently. But as years gone by, the painting gets more and more thick. She is searching what is the substance of painting, what is under and beyond the surface, beyond the interface. Painting in volume, maybe the future of painting…

Currently, graduate at the University of Paris 1 Panthéon-Sorbonne
Thesis : Painting : The surface as an interface. From the support of the painting to its place of exhibition.
2015 : Master’s degree in the fields of fine arts, Final Essay: Nomad painting, Geo(de)location of the
Space. University of Paris 1 Pantheon-Sorbonne.
Since January 2019: Artist of the Collective 18 NNC London Art gallery

Last Exhibitions
09/11/2019 - Commemoration Ceremony of the Fall of the Berlin Wall, City Hall 15th district / Mairie du 15ème arrondissement, Paris, France.
08/11/2018 - 08/11/2019 - COHABITER A LA VILLA SAVOYE, residency with Stéphanie Kamidian and Béatrice Martin. In situ Exhibition 7/11/2019, Villa Savoye, Poissy, France.
01/12/2018 - 02/12/2018 - Week End Ecole, REPETER, under the dir. of Sonia Vandomme, Centre Pompidou, Paris.
02/05/2017-19/05/2017 – UNE COULEUR DIFFERENTE, Galerie La Passerelle, Université Pierre et Marie Curie, Paris.
15/02/2016 – 29/02/2016 - LES SOIREES DESSINEES, 59 rue de Rivoli, 75001 Paris. Drawing performance in situ.

Research Publications
To be published : Editions de la Sorbonne: Jean-Michel Pancin, Mémoire du milieu carcéral. De l'enfermement à la libération.
To be published : Editions de la Sorbonne : Les sœurs Martin à la Sorbonne, Quand la conférence devient
« lecture-performée imagée ». Entretien avec Béatrice Martin et Radmila Urosevic.
Xavier Escribà « Douter de tout... et peindre », in Ce que disent les peintres, sous la dir. de Sandrine Morsillo et Antoine Perrot, Paris, L’Harmattan, coll. « Pratiques Picturales », to be published.
Radmila Urošević, « Interfaces picturales , (Dé)peindre la peinture ». Pratiques picturales : Allumer / Éteindre: la peinture confrontée au numérique, Numéro 04, décembre 2017